This Life of Sounds: Evenings for New Music inBuffalo received an ASCAP Deems Taylor Award for excellence. The book presents an authentic portrait of a notable American artist thatis compelling reading for the general reader as well as scholars interested in twentieth-century American music, American studies, gay rights, and civil rights. In addition to analyses of Eastman's music, the essays in Gay Guerrilla provide background on his remarkable life history and the era's social landscape. These episodes are examples of Eastman's persistence in pushing the limits of the acceptable in the highly charged arenas of sexual and civil rights. Eastman tested limits with his political aggressiveness, as reflected in legendary scandals like his June 1975 performance of John Cage's Song Books, which featured homoerotic interjections, and the uproar over his titles at Northwestern University. ![]() Eastman's provocative titles, including Gay Guerrilla, Evil Nigger, Crazy Nigger, and others, assault us with his obsessions. His music, insistent and straightforward, resists labels and seethes with a tension that resonates with musicians, scholars, and audiences today. Composer-performer Julius Eastman (1940-90) was an enigma, both comfortable and uncomfortable in the many worlds he inhabited: black, white, gay, straight, classical music, disco, academia, and downtown New York. Nemo Hill - Julius Eastman and the Conception of "Organic Music" - Kyle Gann - Julius Eastman Singing - John Patrick Thomas - An Accidental Musicologist Passes the Torch - Mary Jane Leach - A Flexible Musical Identity: Julius Eastman in New York City, 1976-90 - Ryan Dohoney - Evil Nigger: A Piece for Multiple Instruments of the Same Type by Julius Eastman (1979), with Performance Instructions by Joseph Kubera - David Borden - A Postminimalist Analysis of Julius Eastman's Crazy Nigger - Andrew Hanson-Dvoracek - "The Piece Does Not Exist without Julius": Still Staying on Stay On It - Matthew Mendez - Connecting the Dots - Mary Jane Leach - Gay Guerrilla: A Minimalist Choralphantasie - Luciano Chessa - Appendix: Julius Eastman Compositions - Mary Jane Leach - Chronology - Selected Bibliography - List of Contributors - IndexĪ compelling portrait of composer-performer Julius Eastman's enigmatic and intriguing life and music. Lewis - Acknowledgments - Introduction: Julius Eastman and His Music - Renee Levine Packer - Julius Eastman, A Biography - Renee Levine Packer - Unjust Malaise - David Borden - The Julius Eastman Parables - R. ![]() It is important that I learn how to be, by that I mean accept everything about me.Foreword by George E. Memorable Passage “What I am trying to achieve is to be what I am to the fullest-Black to the fullest, a musician to the fullest, and a homosexual to the fullest. Gay Guerilla sheds some light on Eastman’s method and his choices, as well as his place in music and civil rights history whilst preserving the private power in Eastman’s gentle aura – an inaccessible place from which the beauty of his art itself originates, delicate and wild. ![]() Julius Eastman’s reputation as a confrontational genius paints an incomplete picture of the renegade composer. ![]() Eastman's provocative titles, including “Gay Guerrilla,” “Evil Nigger,” “Crazy Nigger,” and others, assault us with his obsessions.Įastman tested limits with his political aggressiveness, as reflected in legendary scandals like his June 1975 performance of John Cage's Song Books, which featured homoerotic interjections, and the uproar over his titles at Northwestern University.
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